All posts by Beth

Print Lives!

Shimmer has put a lot of energy into our digital versions lately: we’re available in Weightless and Amazon, and are currently working on getting issues up at Smashwords and other markets.

Recently, though, someone told us they had no idea we put out a print version. I guess in these increasingly digital times, it’s easy to overlook our print version.

Convenient as electronic versions are, though, there’s nothing quite like getting one of our print versions in the mail. Picture it: instead of the usual clutter of junk mail and bills, you get a sleek envelope from me. You rip it open and pull out a copy or two of Shimmer. You run your fingers over the glossy cover, admiring the exquisite art. You flip through the 100 or so perfect-bound pages. You slip your copy into your purse or backpack to read in a quiet moment during the day — it’s just the right size to carry around.

And you know that anyone who sees you reading it will be drawn to your obvious taste and intelligence.

Our print edition is great, and I want everyone to know about it.

So we’re having a sale.

All print editions are on sale! The coupon code “printlives” gets you 15% off any print versions until next Saturday, October 20th. Browse our Back Issues page, and see what delights call to you.

15% off on a sleek and sexy print version!

You know you want to.

 

 

And The Reader’s Choice Winner Is. . . .

Shimmer 15

. . . a tie.

Our congratulations to K. M. Ferebee, for “The Bird Country,” and Milo James Fowler, for “Soulless In His Sight.

Both authors have graciously allowed us to post their stories online, so click the links above and get reading!

Reader’s Choice Artist is Sandro Castelli; that’s his amazing cover to the left.

Thanks to everyone who participated in our survey — and to the talented writers and artists who make Shimmer thrive.

How Shimmer Falls in Love With Fiction

That you may have more fodder for your rejectomancy, here’s a behind-the-scenes view of how the submission and decision-making process works at Shimmer.

Submissions arrive in our submissions email: shimmersubs@gmail.com. Currently, the volume is about 25 to 35 stories a day. At that rate, we’ll handle over 10,000 stories in a year. I do think that volume will continue; it’s about double what we were getting before we raised our pay rate (and has stabilized from more than 50 a day right after the announcement).

At most, we’ll publish around 30 stories a year, which means we need to be very good at rejections; otherwise, we would drown.  (Want to improve your odds? Read an issue or two. Issue 10 is even free. Read our guidelines. Also, be completely amazeballs.)

Every day, our Minister of Distribution, Sean Markey, distributes the day’s submissions evenly and randomly among the slush readers. (Sean gets that fancy title because he also helps out with distributing issues of the magazine: he’s the one who handles our conversion to other electronic formats, and gets them into Amazon and Weightless and other outlets.) We currently have 8 volunteers reading slush, and sometimes I’ll read some as well. You can see our current staff on our Shimmery People page.

Slush readers have two choices: they can either reject the story, which is what happens the vast majority of the time, or they can forward it on to the board for further consideration. It’s our goal to read each submission and make this first decision within three weeks. Often we’re able to reply much faster; currently, the oldest unread story in our submissions is dated August 21, which is a bit over 2 weeks. The biggest variability in response time for the first reading is the amount of time and energy the slush reader assigned to the story has.

We also do our best to write useful and friendly rejections; over and over again, we get feedback that writers appreciate them. We could probably reject stories a lot faster without this, but we have chosen to retain the personal touch. We don’t enjoy form letters any more than you.

Once a story reaches the board, Senior Editor Elise Tobler or I (sometimes both) give the story an initial read and give the story a “no” or a “maybe.” This usually happens within a week, but can take longer depending on personal circumstances. The “no” stories are rejected promptly, and the “maybe” stories rest.

Every year or so, there’s a story that we’re positive we’re going to accept from the first moment we read it. “Bullet Oracle Instinct,” by K. M. Ferebee. “Seek Him i’th’Other Place Yourself” by Josh Storey. There are a few others, but not many. Even those stories rest; we don’t accept them immediately. Why? Because sometimes a story that seems really shiny on the first reading doesn’t hold up on a second reading. We give ourselves the gift of distance and perspective on a story before making a final decision. It’s exactly the same dynamic as advising authors to take some time away from the story between drafts.

We let another week, or two, or more pass before the second reading. The decisions can get really tough at this stage. Are the story’s flaws fatal for us, or can they be fixed with edits? Should we ask for a rewrite (always fraught)? Am I reading this story fairly, or is my bias against, say, unicorns clouding my vision? What does the author intend in this section–do we agree with that intent, and can we bring it out more clearly? Do we still love the story after some time away, or was it forgettable? Even if it’s completely awesome, is it Shimmery? Occasionally, we’ll consult outside readers for their opinion on a technical matter or a style issue. Staff members comment on the stories, and Elise and I discuss them offline, sometimes at great length. Each story’s such a unique and personal thing, and we each have our own unique and personal takes on it

The decisions are very rarely clear or easy. They take time. Yeah, there’s some procrastination and avoidance at this stage — but it also just takes time. Elise tells me the longest wait within recent memory was about three months (which I think is shamefully long); our fastest was turned around within a week. (It is at this stage that sim sub withdrawal notices are problematic, especially since we do not accept sim subs.) We put a lot of careful thought into stories at this stage; we’re not just eating cake and watching Ru Paul’s Drag Race while your story languishes forgotten. I promise.

Will the decisions get easier now that we’re paying pro rates? It’s too early to say. Maybe there will be more obvious Yes stories; or maybe the decisions will get even harder when there are even more good stories to choose from, and the stakes are higher.

It’s easy for me to look at other editors and assume they all have the gift of instant clarity and make decisions faster than a speeding bullet, without any doubts or missteps. It’s easy to hear the chorus of voices that say UR DOIN IT RONG.  It’s the same trap I fall into as a writer, when I begin to believe that all other writers are constantly inspired and motivated and disciplined, and I’m the only one playing Plants vs Zombies instead of writing. It’s the trap of comparing my insides to everyone else’s outsides.

Publishing constantly teaches me to trust myself. This is my process. This is how I fall in love with Shimmer stories: slowly and carefully and deliberately. And that’s just fine.

To summarize:

Within 1 to 3 weeks, you should get a rejection or a hold notice. If it gets to be four weeks, by all means query; it is most likely that either your submission or our response went astray.

If you get a hold notice, you may get a rejection within 1 to 2 weeks. If it’s longer than that, your story is under very serious consideration, and you should hear one way or another within a few more weeks.

Questions?

Shimmer Pays Pro Rates

I am absolutely delighted to announce that starting today, Shimmer will pay $.05/word for fiction.

When we started Shimmer back in 2005, we paid five dollars per story. We said right from the beginning that someday, we’d pay pro rates. And now, thanks to the generosity of Art Director Emeritus Mary Robinette Kowal, we’re there.

Why?  Ann Vandermeer took Weird Tales in a wonderful direction — and it always seemed to me to be a direction very much in alignment with Shimmer. The new publisher, however, is taking things in a very different direction. Even without publishing the overtly racist chapter of Victoria Foyt’s novel Save the Pearls, it’s pretty clear that Weird Tales is no longer interested in publishing the kind of beautiful, dark, and original fiction that I adore — and the vocal outrage from the entire speculative fiction community shows that we are not alone in loving these stories.

So Shimmer and Mary Robinette Kowal are taking a stand.

We’re saying: We love these stories.

We believe in these stories.

We believe in excellence.

Won’t you join us? Read our guidelines here, or subscribe.

The Easy (and Sneaky) Way to Overcome Writer’s Block

So you’re stuck with your writing. You should be off writing the next chapter in your novel, but instead you find yourself screwing around on the internet or scrubbing the grout in the bathroom (or starting a magazine) – anything to avoid writing.

You know that this is unreasonable. You’ve read about writer’s block, and read a thousand logical ways to get past it. You know that there’s nothing personal about rejection, that you’ll never get anywhere without persistence, that you have to believe in yourself, that no art is perfect, that you only improve by taking risks and learning. You know how to find support and you know how to find inspiration and you know how to manage your time.

You know all this, and more. So why the hell aren’t you writing?

Good news: it’s not because you’re lazy or broken or not a “real writer.”

The Real Reason You’re Not Writingby Stock Gallery

You’re not writing because, despite all those lovely logical things you know, the most primitive part of your brain is afraid. It has nothing whatsoever to do with logic, and attempting to solve the problem with logic isn’t going to get you anywhere.

It’s called the flight or fight response. When it kicks in, the sympathetic nervous system takes over and your brain actually stops listening to logic. This can be a good thing: if you are being stalked by a giant robot with death lasers in its eyes, you don’t have time to think. You need to react instantly.

However, it’s not so useful when you’re trying to write a novel. You need to find a way out of the flight or fight response, so that you can listen to reason again. You need to find a way to let your parasympathetic nervous system, which controls rest, balance out the freak-out actions of the sympathetic nervous system.

Luckily, that’s easy.

Just Breathe

I’m going to share a breathing exercise I learned in yoga. Alternate nostril breathing is a great way to balance the sympathetic and parasympathetic nervous systems.

As you get more comfortable with this practice, you can work on deepening and lengthening your breathing – but don’t worry about that to start out. Just breathe at a comfortable pace.

1. Sit up comfortably. Curl your middle and index fingers in toward your palm. Put your thumb beside your right nostril, and your ring finger and pinky by your left nostril.

2. Close off your left nostril. Inhale through your right.

3. Now close off your right nostril and open the left.

4. Inhale and exhale through the left nostril.

5. Close the left and open the right.

6. Inhale and exhale through the right nostril.

Ten or twenty breaths like this should make you feel noticeably calmer – but you can keep going as long as you want.

Now try some of that logic on yourself. Or maybe you’re calm enough now to just start writing.

Bonus! Another Sneaky Brain and Breath Trick

While you were practicing alternate nostril breathing, which nostril seemed more constricted? The difference may be subtle or obvious, but when you pay attention, you’ll notice it.

If the right nostril was more blocked, this is a great time for creativity.

If your left nostril was more blocked, this is a better time to balance your checkbook or update your submission tracking spreadsheet.  

Why?

Because: one hemisphere of your brain is dominant at a time. This actually switches every 90 minutes (or every 3 hours, in some sources). It’s a lot easier to write when the right hemisphere of your brain is dominant.

The dominant side of your brain has more blood in it. There’s also more blood in the nostril on that side of your head, and this constricts your breathing a little.

Try it!

I’d love to hear how these techniques work for you. And if mind/body tools like these are right up your alley, check out my other venture, Shivamonster.

Shimmer Triples Pay Rate

We’ve always believed the fiction we publish at Shimmer can stand with the best. And we’ve always thought it was worth a lot more than we were able to pay for it. Today, we’re taking a big step toward paying our authors what we think their stories are worth.

I am delighted to announce that we’re raising our pay rate for fiction from 1 cent a word to 3 cents a word, beginning with Issue 16. (Authors already under contract for Issue 16 will be recontracted at the higher rate. I’m sure they won’t mind.)

From here, it’s just one short step to pro rates. This is the golden age of the independent press, and we will thrive.

When Shimmer started, the goal was to raise the pay rate as the magazine could afford it. It has inched up over the years. I am so excited to see their pay rate rise like this. It’s a beautiful magazine, and this is a great step for authors. In a time when so many magazines are closing their doors, it’s nice to see one that is making changes for the better.

–Mary Robinette Kowal, Hugo-award winning author of Shades of Milk and Honey and Glamour in Glass

We’re also increasing the size of each issue by about 50%, so there’ll be even more Shimmery goodness for our readers. (Why not subscribe right now, before the price goes up?)

Other ambitious plans for this year: the Best of Shimmer anthology we’ve been dreaming about for years, in a fancy-pants hardback; a special young adult issue with a guest editor; and a foray into novellas and novelettes.

Shimmer has always been a labor of love, and it is marvelous to watch the beloved flourish.

Shimmer had the infinite good taste to publish one of my first short stories, and since then they’ve gone from strength to strength, establishing themselves as the purveyor of unique, quirky but always wonderful short fiction. I’m glad to see them take this important step forward.

— Aliette de Bodard, Hugo and Nebula-nominated author of the Obsidian and Blood series

My deep thanks to the Shimmery staff for their untiring efforts — and to all of our readers, whose support makes this possible.

 

Issue 14 Reader’s Choice Survey

Gentle readers!

Shimmer 14 cover
Shimmer Issue 14

We want to know what you think about Issue 14, so we set up a quick survey. It should take you less than a minute to complete.

Here’s the fun part: whichever story gets the most votes? We’ll work with that story’s author to put the whole story up online so everyone can read it. Help your favorite author get his or her story the readership it deserves!

We’ll also randomly select one responder to get a free copy of the issue of their choice — just give us your email address in the last question so we can get in touch with you if you’re the lucky winner.

Click here to take the survey! Votes accepted until midnight Mountain time on Sunday, February 26th.

Haven’t had a chance to read the issue yet? You can grab a copy on our Issue 14 page, or get our shiny new Kindle version for the introductory rate of 99 cents!

Huzzah! Shimmer 14 on Kindle!

Shimmer 14 cover
Shimmer Issue 14

We’re delighted to announce that Shimmer Issue 14 is now available for the Kindle! All the same great stories and illustrations, but now super-convenient to read on your Kindle or Kindle app.

To celebrate, we’ve priced it at just 99 cents for a week, so grab it while it’s hot. We even enabled lending, so you can share it with a friend. Click here to buy your copy of Shimmer Issue 14 for your Kindle today!

And once you’ve read it? Go ahead and post a review on Amazon. We’d love to hear what you think, and are scheming up a special prize to be awarded to a randomly-selected reviewer. Stay tuned for details.

Shimmer Seeks Spectacular Slushers

It’s time to add some new first readers to the Shimmer team.

Interested? Here’s what it takes:

Selecting Ore

You’ll carefully pore over the mountain of submissions, looking for gems. For each story, you’ll decide whether to pass the story up for further consideration, or gently reject it. The job generally takes less than five hours a week, once you get rolling. It requires consistency, alignment with the editorial team’s taste, and compassionate communication. We’ll also ask you not to submit your own fiction to Shimmer while you’re on staff.

Being a Shimmer reader means you’re part of a thriving and beautiful publication, working closely with a team of smart, fun people. If you’re a writer, you’ll learn a hell of a lot from the slush pile about what works and what doesn’t work. The position pays in glory, copies of Shimmer issues, and drinks if our paths ever cross at a convention. (But mostly glory.)

To apply, download the electronic version of Issue 10. (Get it free, here.) Then tell me which story you liked the most, and why? And which story you liked the least, and why? It’s not about the stories you pick as much as it is about why you picked them. We’re trying to get a sense of whether our tastes are in synch.

Send your response to beth@shimmerzine.com no later than the end of the day, January 31, 2012.

And the Time Came For a Change

One piece of advice I always give to people who are starting up magazines is: you have to realize this is a marathon, not a sprint. You have to be in it for the long haul. You have to build things so that they’re sustainable.

And when you start to feel weary and burned out and frustrated, when you feel your enthusiasm start to fade, you need to change things up.

That’s what we’ve done at the Shimmer Fictionwerks.

I’m pleased to announce that Issue 14, which we’ll release in late October at the World Fantasy Convention, is probably the last issue of Shimmer that I’m going to edit personally.

Oh, that doesn’t mean Shimmer’s going away. Not at all! We’re in it for the long haul. We’ve been here since 2005, and we’ll be here for many more years.

It means that I’m turning the editorial reins over to Elise Tobler. She’s Shimmer’s most steadfast volunteer, and I’ve relied on her since 2006. She’s got great taste, and a sure hand with editing stories. She’ll be selecting and editing all the stories beginning with Issue 15 (scheduled for release early next year).

Elise has already picked some great stories for Issue 15, and I can’t wait to see what treasures she finds for the rest of the issue.

Promoting Elise meant we needed to beef up our editorial ranks, which was good news for Associate Editors Keffy Kehrli and Grá Linnaea: they’re both now full editors, helping discover the perfect stories for publication.

And me? Oh, I still have plenty to do. I’ll just be focusing more on my role as publisher now. I’ll be working on all the things that I never seemed to have time for before, like working with our Minister of Layout to get Shimmer into various ebook formats and getting them into stores. And I’ll be looking at other ways to expand our offerings and bring our readers more of the Shimmery stories they’ve come to expect from us.  I’ll be dreaming up special projects and making them happen.

So that’s the news. My very deep thanks to Elise, Keffy, and Grá for being so willing to put in even more effort to make Shimmer thrive.